"El Gran Manto" by Ricardo Migliorisi

The history of Paraguay has always been crossed by weaving. Aó, a Guaraní word, refers to textiles in all their formats, from clothing to ornaments, including quilts and tapestries. "Paraguayan folk weavings tell the stories of the people who make them (mostly women) and use them in the domestic or work environment," said Lía Colombino, curator and director of the Museo del Barro's Museum of Indigenous Art.

Throughout the exhibition, the artists address central topics such as the role of women, work, readings of the conquest, popular art, and traditional knowledge through contemporary art. The works of Claudia Casarino, Mónica Millán, Arnaldo Cristaldo, Félix Cardozo and Joaquín Sánchez recover embroidery, lace and traditional fabrics to make women's labor emancipation visible.

"Sí, quería" by Joaquín Sánchez

The works of Marcos Benítez and Karina Yaluk use textiles as a weft to which plant or animal traces are attached. Meanwhile, in the center of the room, Ricardo Migliorisi's "El Gran Manto" (The great mantle) captures the viewers' attention due to its enormous size. It is a 12-meter-long patchwork made up of gobelins, which are carpets of French origin that reveal how tradition has been crossed by colonization. The pieces were intervened with texts from an inaccurate web translator, as a sort of textual and textile Babel.

The artists Osvaldo Salerno and Feliciano Centurión detach themselves from the locals also in terms of tradition, but to remember the domesticity of the sewing machines or the massively used blankets, so close to their histories. Salerno, brings up the language, that other clothing that dresses us; and Centurión, embark on small stories of affection.

Feliciano Centurión

The exhibition "Aó: Textile Episodes of the Visual Arts in Paraguay" is an invitation to delve into Paraguay's art scene, as well as its history and, therefore, the working material of its artists. A common axis throughout the tour is the conception of weaving as writing and the overflowing of stories as a critical activity necessary to think a territory.