In a mix of tributes and contemporary views, this exhibition proposes to recover the fundamental role of his painting as a manifesto against the depredation and exploitation of the Earth. The cornerstone is Uriburu's paintings. From this impulse, a dialogue begins with Florencia Böhtlingk, who created for the occasion "Hunters and Gatherers", a gigantic mural 16 meters wide x 4 meters high. Another example is Uriburu's pop-style paintings together with the free and public drawings of Marcelo Pombo, emblematic artist of Argentine pop art. Also on display are textiles by Feliciano Gómez Centurión and tapestries by Edgardo Giménez, from which the imaginary of nature is reactivated.

This exhibition brings the environmental crisis back to the center of the debate, recovering Uriburu's work. Like the artistic avant-gardes of the early 20th century, art and life converge from a political dimension centered on calling attention to the depredation of Latin America's natural resources. "With my art, I denounce the antagonism between Nature and Civilization. That is why I color my body, my sex, and the waters of the world. The most evolved countries are destroying water, land, and air, reserves of the future in Latin American countries," García Uriburu expressed in his Manifesto.

"Green Manifesto" intends to think of a genealogy from a work that is, beyond the fact that there is an imaginary that is referred to the natural, are investigations of artists and painters who are all the time thinking about how to compose, and achieve from their imaginary another type of work, a work that is, beyond the fact that there is an imaginary that is referred to the natural.