abstract art
The splendor of abstract art in Maurizio D'Andrea's award-winning work at the Venice Triennale
January 18, 2025 | nadiaevangelina
The Venice Triennale, held at the iconic Forte Marghera, is an event that brings together the most innovative and outstanding artists of the contemporary art scene. In its 2024 edition, more than one hundred creators from around the world participated, offering a diverse and representative sample of global art. The Golden Lion, the Triennale's highest award, is given to the work that best encapsulates innovation and emotional impact. The jury, composed of leading figures such as Stefania Pieralice, ex-former director of the Venice Biennale, and art critics Antonio Castellana, Barbara Bortot, and Giada Eva Elisa Tarantino, awarded D'Andrea's painting “Mi.R bb49”.
D'Andrea's art is distinguished by a singular ability to combine the symbolic with the abstract, creating pieces that explore the unconscious. His award-winning painting, “Mi.R bb49”, is a compelling example of this virtue. On the one hand, the composition of the work explores the limits of plastic expression, influenced by the materiality and gesturality of abstract expressionism. Conversely, the chromatic palette, dominated by vibrant tones juxtaposed with subtle gradients, symbolizes the tension between progress and the human essence. The carefully crafted strokes and textures reinforce this sense of conflict, creating a visual field oscillating between calm and chaos.
In an increasingly technologized world, where humanity seems to be disconnected from its natural roots, “Mi.R bb49” acts as a mirror. The piece is an invitation to reflect on what it means to be human in an era dominated by the unstoppable advances of science and industry.
D'Andrea's art is influenced by the theories of Sigmund Freud and Carl Gustav Jung. The work dialogues with Freudian concepts of the unconscious, especially in its ability to evoke emotions and inner conflicts that often remain repressed. From a Jungian perspective, “Mi.R bb49” connects with the universal archetypes of the collective psyche, especially those related to fertility, creation, and destruction. The vibrant colors and organic forms could be interpreted as an expression of the Mother Earth archetype, while the chaotic elements represent the transformative power of technology as a destructive and regenerative force.
D'Andrea is not an artist looking for definitive answers. On the contrary, his art poses questions that challenge established perceptions. This philosophical approach is rooted in a multidisciplinary practice that combines elements of painting, sculpture, and, in some cases, digital technology. His work is not limited to being a visual product; it is an experience that actively engages the viewer, forcing them to question their relationship to the world around them.
D'Andrea's importance in the context of contemporary art lies in his ability to maintain the relevance of abstract art at a time when figurative narratives and conceptual art seem to dominate the discourse. His refreshing and deeply humanistic approach demonstrates that abstract art can still be a powerful medium for exploring the existential dilemmas of our society. Furthermore, his work stands out for its artistic integrity; each piece is the result of an honest and uncompromising search, which reinforces its authenticity.
The recognition at the Venice Triennale not only celebrates D'Andrea's talent but also underscores the relevance of art as a tool for reflection and change. In an event that brought together over one hundred artists from around the world, his work managed to stand out for its ability to resonate both emotionally and intellectually. This is a testament to the depth and scope of his artistic vision. In this sense, Maurizio D'Andrea consolidates herself as one of the most important and necessary voices in contemporary art, a voice that invites us to look beyond the visible and confront the deepest truths of our existence.
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| Maurizio D'Andrea, Winner of the Venice Triennale. |
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| Maurizio D'Andrea with the jury. |
In an increasingly technologized world, where humanity seems to be disconnected from its natural roots, “Mi.R bb49” acts as a mirror. The piece is an invitation to reflect on what it means to be human in an era dominated by the unstoppable advances of science and industry.
D'Andrea's art is influenced by the theories of Sigmund Freud and Carl Gustav Jung. The work dialogues with Freudian concepts of the unconscious, especially in its ability to evoke emotions and inner conflicts that often remain repressed. From a Jungian perspective, “Mi.R bb49” connects with the universal archetypes of the collective psyche, especially those related to fertility, creation, and destruction. The vibrant colors and organic forms could be interpreted as an expression of the Mother Earth archetype, while the chaotic elements represent the transformative power of technology as a destructive and regenerative force.
D'Andrea is not an artist looking for definitive answers. On the contrary, his art poses questions that challenge established perceptions. This philosophical approach is rooted in a multidisciplinary practice that combines elements of painting, sculpture, and, in some cases, digital technology. His work is not limited to being a visual product; it is an experience that actively engages the viewer, forcing them to question their relationship to the world around them.
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| "Mi.R bb49" (2023). Winner of the Venice Triennale. |
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| "Disequilibrio" (2024) |
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| "Film" (2019) |
The recognition at the Venice Triennale not only celebrates D'Andrea's talent but also underscores the relevance of art as a tool for reflection and change. In an event that brought together over one hundred artists from around the world, his work managed to stand out for its ability to resonate both emotionally and intellectually. This is a testament to the depth and scope of his artistic vision. In this sense, Maurizio D'Andrea consolidates herself as one of the most important and necessary voices in contemporary art, a voice that invites us to look beyond the visible and confront the deepest truths of our existence.
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| "L'inchino" (2024) |
Golden Lion- The Venice Triennale
Location: Forte Marghea Mestre (VE) 30, 30173, Venezia (Italy)
Opening Date: 7th November 2024
End Date: 22nd November 2024
Working hours: Monday: 9am to 8pm
Tuesday-Sunday: 9am to 12am
Official website:
Artist:
